Why politics needs arts & crafts

By Dr Anna Feigenbaum, lecturer in Media & Politics and contributor to the ‘Disobedient Objects’ exhibition at the Victoria & Albert Museum.

Inflatable cobblestones, book blocs, musical pot lids. This week these objects joined the Victoria & Albert Museum’s collection, taking their place in design history alongside Grecian pottery and fashion couture. Curated by Gavin Grindon and Catherine Flood, the V&A’s Disobedient Objects show serves as much as an intervention than as an exhibition. Its 99 objects from social movements around the world ask us to rethink what counts both as art and as politics.

From brightly coloured, hand-woven tapestries to a rice sacks with head and armhole cut-outs, the show’s disobedient objects range from refashioned rubbish to intricate craftwork. While everyday items like tea cups or water bottles may not be inherently ‘disobedient’, repurposed here as objects of solidarity and makeshift tear gas masks, they take up status as ‘disobedient.’

concrete lock-on at protest

Concrete lock-on’s in action (actionawe.org)

Other objects showcased in the exhibition were intentionally designed for disobedience. The shields adorned with images of climate refugees used to transport pop-up tents at Climate Camp in 2007 are an excellent example of how spectacular art created spectacular media images, and swayed public opinion. Similarly, the ‘dragon’ concrete lock-ons made infamous in the anti-roads actions of the 1990’s show how protest sites often become innovative centres of disobedient design.

There is as much variety in these objects as there is in the people who made them. Artistic credits for the show include professional architectures, sculptors trained in world-leading art schools, gardeners, electricians, prisoners, students and anonymous collective assemblies of all kinds of people. These objects are neither art of the institution, nor art simply made outside of the institution. Rather, they are blends of both, the products of imagination as it travels between cultures and countries.

Cacerolazo

A Cacerolazo – protesting by with noise. (Ande Wanderer, argentinaindependent.com)

Just as our conception of art is disrupted by this exhibition of disobedient design, so too are our ideas of politics. Normally, when we think about what makes up politics, talking comes to mind. Politics is debates and speeches. It is dealing with campaign donations and soliciting support at gala dinners. It is the fighting, the demanding, and, all too often, the lying of our political leaders.

But these disobedient objects open up a different kind of politics. They give way to a politics of the senses. They showcase campaigners’ sensibility of political norms that enables them to anticipate and out-design their opponents. This politics can manifest as sound; the sing-song banging in unison of cacerolazo pan lids. Other times it is found in acts of collective sleeping – a politics shared through open-source designs for winterising protest camp tents. Often this different kind of politics is expressed in signs, flavoured with humour and pop culture savvy, as in the hanging hand-painted cardboard: ‘I wish my boyfriend was as dirty as your policies’ that now adorns the V&A (and its gift shop rack of postcards).

Rinky Tink bicycle sound system at Heathrow demonstration (Fabian Frenzel)

Rinky Tink bicycle sound system at Heathrow demonstration (Fabian Frenzel)

These are just some of the crafted politics of everyday people that arise when voices go unheard. Marred by low voter turnout and growing distrust, traditional politics is desperate for creativity. It is begging for new ideas to get beyond its self-perpetuating bureaucracies and stale public school styles. But to carry on, politics needs innovation from below. It needs to learn to better craft possibilities and policies from the perspective of the people. As Disobedient Objects shows, real change can only come when the imagination challenges the institution—and wins.

 

Anna Feigenbaum is co-author of the book Protest Camps (Zed 2013) and a lecturer at Bournemouth University on the BA (Hons) Politics & Media  degree.  Her essay ‘The Disobedient Objects of Protest Camps’ can be found in the Disobedient Objects V&A exhibition catalogue. 

Strike Action – 31 October 2013

Following a recent national ballot by UCU (the trade union that represents academic staff) and UNISON (professional support staff), BU has now been notified that both unions will be holding a one day strike on the 31 October 2013.

In addition, we have been notified that UCU will be taking action short of a strike by way of “working to contract” with effect from 1 November 2013.  It is not possible at this stage to say exactly how the one day strike on 31 will affect any lectures/seminars or other services a week on Thursday but BU is doing all it can to minimise the impact on students. We expect that the majority of activities and services will continue unaffected by this strike and students are advised that lectures will continue as normal unless told otherwise by individual academics or communications in the Schools.

Students are also asked to look out for late cancellations running up to and on this day and, in the event that a lecture is not cancelled but a lecturer does not attend a planned session, please contact your Programme Administrator or school administration office.

In addition, in respect of action short of strike action we are expecting staff to work normally and efficiently fulfilling their contractual obligations in full and therefore, are unable to indicate at this stage an effect that this might have.

The University is keen to stress that this is a national dispute and it does not endorse the strike action and has asked academic staff to ensure that any potential effects on students are minimised.

We will keep you informed of any further updates as and when they become available.  If you have any questions please contact the school admin office.